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Leila Bandar
Gilbert Boro
Sarah Sedgwick Coble
Connee Mayeron & Charles Fuller Cowles
Alejandro Dron
Stephen Fabrico
Mark Gibian
Bradford Graves
David Henderson
Tom Holmes
Grace Knowlton
Ann Johnston Miller
James Murray
Lydia Musco
Lori Nozick
Chanthou Oeur
Jerome Harris Parmet
Arden Scott
Kaete Brittin Shaw
Matthew Zappala


Leila Bandar 
Leila Bandar's sculptures begin with a simple, compelling, physical attraction to a material and a vague picture of how the material could look once manipulated. The core-ten steel pipe in Bandar's "Pipe Organ" pieces are generally used underground to irrigate fields. Bandar uses a plasma cutter to create both positive and negative forms in the pipes. The "Pipe Organ" pieces become participatory when struck, creating a resonant sound akin to a monumental wind chime or an organ. "Making sculpture means making time in the physical world. My attraction to cylinders comes from an attraction to the push/pull of concave and convex forms when a pipe is 'carved' open. I love the duality and simplicity of it." Ultimately Bandar's work is about looking and creating windows to see a changing landscape - it is also a connector between the realm of earth and the realm of sky. Bandar's "Constructions in Wood" are carved and treated with a high temperature flame to achieve a driftwood effect. The wood grain that returns to the lumber once it has been heat treated.
Pipe Organ Constructions in Wood Pipe Organ detail Pipe Organ detail Constructions in Wood Leila Bandar